Articles by Christina Daniels

Christina Daniels is a communications professional based in Bangalore. She is the author of the cinematic filmography "I'll Do It My Way: The Incredible Journey of Aamir Khan". Before this, she authored the novel "Ginger Soda Lemon Pop" and co-authored "Mind Blogs 1.0".

After the disappointing 7 Khoon Maaf, Vishal Bharadwaj makes amends with Matru Ki Bijlee Ka Mandola. With this film, Vishal Bharadwaj lives up to his previous cinematic work that includes Ishqiya, Kaminey, Omkara, Blue Umbrella, Maqbool and Makdee. But the subtle humour that we saw in earlier work like Ishqiya and Kaminey now moves into a fullblown political sattire. It's a new genre for Bharadwaj, and he makes the transition gracefully. When Matru Ki Bijlee Ka Mandola works, it does so because it is a film that runs at many levels. At a most basic analysis, Matru Ki Bijlee Ka…

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The year ends with a big bang for Hindi cinema. Just about two weeks after Jab Tak Hai Jaan and Son of Sardar played to 'Housefull' cinema halls, Talaash released to audiences. A week later Khiladi 787 wooed the crowds, and by December 21st it will be time for Dabangg 2. So while it has been a spectacular closing at the box office, what does it mean for Hindi cinema? Clearly, it's the first week's performance that determines the commercial success of a film. But while Talaash may finally emerge as the least successful of the year's final releases, it…

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This November, it's Hindi cinema's season of film launches. So first, there was an overdose of Shahrukh Khan and Katrina Kaif in promos for "Jab Tak Hai Jaan", and now Aamir Khan takes over with the release date for "Talaash" just around the corner. While it was Aamir who first set the trend of intelligently aggressive film promotion, other Indian filmmakers have been quick to join the bandwagon. "Jab Tak Hai Jaan" promos had Shahrukh on every English language television channel, and even holding forth in a keynote address at the Hindustan Times' "Leadership Summit". The questions he fielded here…

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Bengaluru will finally have its own literary weekend. Lekhana comes to the city between February 10-12. The event has been organized by Toto Funds the Arts (TFA), Sangam House (an international writers’ residency program), DeshaKaala (a journal for arts and letters in Kannada) and Reading Hour (a print magazine for Indian creative writing), in partnership with the National Gallery of Modern Art (NGMA). “The City" is the theme this year. With panel discussions, readings, performances and an event bookstore, it promises to be an intersection space for the city’s varied writers, literary cultures and languages. C K Meena, Chairperson, TFA says…

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Clint Eastwood continues to increase his repertoire as a director. This time, he returns with the historical documentary film J. Edgar.The film is FBI director J. Edgar Hoover’ story, and a glimpse into the life’s work that went into the making of the FBI. Besides giving us an interpretation of Hoover’s personal journey, the film also has a telling take on contemporary American political life. Source: Wikipidea Yet within a genre of films perfected in Hollywood, and epitomized in the work of directors like Oliver Stone (JFK and Nixon) and Martin Scorsese (Aviator), Clint Eastwood’s attempt seems to fall short.…

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A Bangalore of leisurely afternoon siestas, trees in abundance, monkey tops adorning grand bungalows, joyous celebrations unrestrained through the night and cycle rickshaws that got you about town. How do you celebrate the best years of your life? Artist Paul Fernandes does it with a series of 50 paintings that relive vibrant Bengaluru of the 70s. While the series currently reflects life in the Cantonment areas, Paul hopes to extend this in the coming months. aPaulogy opened on 21 December 2011. Paul Fernandes. Pic: Christina Daniels The paintings themselves are not easily classified into any genre, as humorous caricatures meet…

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The 4th edition of the Bengaluru International Film Festival (BIFFES) concluded on December 22, 2011. Like with previous events, BIFFES brought the best of international world cinema to the city. But unlike in the past, this year it routinely ran to full houses, with venues like Lido Mall even accommodating audience members on the floor because seats were all full. With screening venues spread out from Bangalore East to Bangalore South, the fourth BIFFES was more inclusive than past editions. Movie: When We Leave Pic:Wikipedia Using a combination of traditional media and social networking sites, the organisers generated the right…

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It is curtains up for the 4th Bengaluru International Film Festival (Biffes) on December 15, 2011. About 175 feature films from around the world will visit the city over the eight-day event. They include 130 foreign films from 40 countries, 30 from Indian Cinema and 15 from Kannada Cinema. This year's country focus will be on Polish cinema, Egyptian cinema, Asian cinema, contemporary Indian cinema and contemporary Kannada Cinema.         Significantly, for the first time, Bengaluru's annual film event has finally received the attention it deserves, with the goal being to establish it amongst India's premier film festivals. This edition of…

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After Once Upon a Time in Mumbaai, the Milan Luthria-Ekta Kapoor-Shobha Kapoor trio are back with The Dirty Picture, and it's a collaboration that holds much promise for Hindi cinema. Source: Wikipedia While one misses the edgy unpredictability of Luthria's earlier film Taxi No 9211 or the grit of Once Upon a Time in Mumbaai, The Dirty Picture creates its own cinematic place. While based on the story of South Indian female actor Silk Smitha, the film also explores sensuality on celluloid and the meaning of success. But be warned that the film is not a biographical history. Instead, it…

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Cinema in Germany is changing. Even as traditional approaches and perspectives to cinema remain, new currents are finding their way into mainstream filmmaking. These varying influences and emerging trends were all seen at the 5th Indo-German Film Festival, held in Bangalore recently. Source: Goethe Institut/Max Mueller Bhavan The festival that ran under the theme of 'Two nations - a single screen' was held by the Goethe-Institut in collaboration the FilmFernsehFonds Bayern, Germany and Suchitra Film Society. Over the course of a week, 10 German and Indian films were screened at the event.The Indian panaroma had a well thought out selection…

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